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Classical concerts featuring
Olivia Warburton

Overview

Quick overview of musician Olivia Warburton by associated keywords

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Upcoming Concerts

Concerts featuring Olivia Warburton in season 2024/25 or later

January 26, 2025
Artistic depiction of the event

Ariadne auf Naxos

Sun, Jan 26, 2025, 18:00
Dmitri Tcherniakov (Inszenierung), Dmitri Tcherniakov (Bühne), Kent Nagano (Musical Director), Elena Zaytseva (Costume), Gleb Filshtinsky (Licht), Tatiana Werestchagina (Dramaturgie), Michael Sangkuhl (Dramaturgie), Dr. Angela Beuerle (Dramaturgie), Thorsten Cölle (Regieassistenz), Danila Travin (Assistenz Bühnenbild), Wolfram Koch (Haushofmeister), Martin Gantner (Musiklehrer), Ella Taylor (Komponist), Jamez McCorkle (Tenor), Jamez McCorkle (Bacchus), Peter Tantsits (Tanzmeister), Grzegorz Pelutis (Perückenmacher), Hubert Kowalczyk (Ein Lakai), Nadezhda Pavlova (Zerbinetta), Anja Kampe (Primadonna), Anja Kampe (Ariadne), Björn Bürger (Harlekin), Florian Panzieri (Scaramuccio), Stephan Bootz (Truffaldin), Daniel Kluge (Brighella), Olivia Warburton (Najade), Aebh Kelly (Dryade), Marie Maidowski (Echo), Philharmonisches Staatsorchester Hamburg (Orchestra)
"It is a simple and tremendous problem of life: that of fidelity", is how Hugo von Hofmannsthal described the core of their third opera together, Ariadne auf Naxos, in a letter to Richard Strauss. To live does not mean to persevere and hold on to what has been lost. If you want to live, you have to let go, forget, get over yourself - constantly transform yourself. This is what a young opera composer experiences in this work when he is confronted with the stubborn wishes of his patron; just like the protagonist of his opera, Ariadne, who, abandoned by her lover, Theseus, expects only death. But things turn out differently... Strauss and Hofmannsthal let the opposites collide: Tragedy and comedy, light music and grand opera, playfulness and seriousness. Thus, in the mirroring of art and life, between gaze and gaze, the unfathomable mystery of transformation takes place. Musical Direction: Kent Nagano Production and stage: Dmitri Tcherniakov Dramaturgy: Angela Beuerle, Michael Sangkuhl
January 29, 2025
Artistic depiction of the event

Ariadne auf Naxos

Wed, Jan 29, 2025, 19:00
Dmitri Tcherniakov (Inszenierung), Dmitri Tcherniakov (Bühne), Kent Nagano (Musical Director), Elena Zaytseva (Costume), Gleb Filshtinsky (Licht), Tatiana Werestchagina (Dramaturgie), Michael Sangkuhl (Dramaturgie), Dr. Angela Beuerle (Dramaturgie), Thorsten Cölle (Regieassistenz), Danila Travin (Assistenz Bühnenbild), Wolfram Koch (Haushofmeister), Martin Gantner (Musiklehrer), Ella Taylor (Komponist), Jamez McCorkle (Tenor), Jamez McCorkle (Bacchus), Peter Tantsits (Tanzmeister), Grzegorz Pelutis (Perückenmacher), Hubert Kowalczyk (Ein Lakai), Nadezhda Pavlova (Zerbinetta), Anja Kampe (Primadonna), Anja Kampe (Ariadne), Björn Bürger (Harlekin), Florian Panzieri (Scaramuccio), Stephan Bootz (Truffaldin), Daniel Kluge (Brighella), Olivia Warburton (Najade), Aebh Kelly (Dryade), Marie Maidowski (Echo), Philharmonisches Staatsorchester Hamburg (Orchestra)
"It is a simple and tremendous problem of life: that of fidelity", is how Hugo von Hofmannsthal described the core of their third opera together, Ariadne auf Naxos, in a letter to Richard Strauss. To live does not mean to persevere and hold on to what has been lost. If you want to live, you have to let go, forget, get over yourself - constantly transform yourself. This is what a young opera composer experiences in this work when he is confronted with the stubborn wishes of his patron; just like the protagonist of his opera, Ariadne, who, abandoned by her lover, Theseus, expects only death. But things turn out differently... Strauss and Hofmannsthal let the opposites collide: Tragedy and comedy, light music and grand opera, playfulness and seriousness. Thus, in the mirroring of art and life, between gaze and gaze, the unfathomable mystery of transformation takes place. Musical Direction: Kent Nagano Production and stage: Dmitri Tcherniakov Dramaturgy: Angela Beuerle, Michael Sangkuhl
February 5, 2025
Artistic depiction of the event

Ariadne auf Naxos

Wed, Feb 5, 2025, 19:00
Dmitri Tcherniakov (Inszenierung), Dmitri Tcherniakov (Bühne), Kent Nagano (Musical Director), Elena Zaytseva (Costume), Gleb Filshtinsky (Licht), Tatiana Werestchagina (Dramaturgie), Michael Sangkuhl (Dramaturgie), Dr. Angela Beuerle (Dramaturgie), Thorsten Cölle (Regieassistenz), Danila Travin (Assistenz Bühnenbild), Wolfram Koch (Haushofmeister), Martin Gantner (Musiklehrer), Ella Taylor (Komponist), Jamez McCorkle (Tenor), Jamez McCorkle (Bacchus), Peter Tantsits (Tanzmeister), Grzegorz Pelutis (Perückenmacher), Hubert Kowalczyk (Ein Lakai), Nadezhda Pavlova (Zerbinetta), Anja Kampe (Primadonna), Anja Kampe (Ariadne), Björn Bürger (Harlekin), Florian Panzieri (Scaramuccio), Stephan Bootz (Truffaldin), Daniel Kluge (Brighella), Olivia Warburton (Najade), Aebh Kelly (Dryade), Marie Maidowski (Echo), Philharmonisches Staatsorchester Hamburg (Orchestra)
"It is a simple and tremendous problem of life: that of fidelity", is how Hugo von Hofmannsthal described the core of their third opera together, Ariadne auf Naxos, in a letter to Richard Strauss. To live does not mean to persevere and hold on to what has been lost. If you want to live, you have to let go, forget, get over yourself - constantly transform yourself. This is what a young opera composer experiences in this work when he is confronted with the stubborn wishes of his patron; just like the protagonist of his opera, Ariadne, who, abandoned by her lover, Theseus, expects only death. But things turn out differently... Strauss and Hofmannsthal let the opposites collide: Tragedy and comedy, light music and grand opera, playfulness and seriousness. Thus, in the mirroring of art and life, between gaze and gaze, the unfathomable mystery of transformation takes place. Musical Direction: Kent Nagano Production and stage: Dmitri Tcherniakov Dramaturgy: Angela Beuerle, Michael Sangkuhl
February 8, 2025
Artistic depiction of the event

Ariadne auf Naxos

Sat, Feb 8, 2025, 19:00
Dmitri Tcherniakov (Inszenierung), Dmitri Tcherniakov (Bühne), Kent Nagano (Musical Director), Elena Zaytseva (Costume), Gleb Filshtinsky (Licht), Tatiana Werestchagina (Dramaturgie), Michael Sangkuhl (Dramaturgie), Dr. Angela Beuerle (Dramaturgie), Thorsten Cölle (Regieassistenz), Danila Travin (Assistenz Bühnenbild), Wolfram Koch (Haushofmeister), Martin Gantner (Musiklehrer), Ella Taylor (Komponist), Jamez McCorkle (Tenor), Jamez McCorkle (Bacchus), Peter Tantsits (Tanzmeister), Grzegorz Pelutis (Perückenmacher), Hubert Kowalczyk (Ein Lakai), Nadezhda Pavlova (Zerbinetta), Anja Kampe (Primadonna), Anja Kampe (Ariadne), Björn Bürger (Harlekin), Florian Panzieri (Scaramuccio), Stephan Bootz (Truffaldin), Daniel Kluge (Brighella), Olivia Warburton (Najade), Aebh Kelly (Dryade), Marie Maidowski (Echo), Philharmonisches Staatsorchester Hamburg (Orchestra)
"It is a simple and tremendous problem of life: that of fidelity", is how Hugo von Hofmannsthal described the core of their third opera together, Ariadne auf Naxos, in a letter to Richard Strauss. To live does not mean to persevere and hold on to what has been lost. If you want to live, you have to let go, forget, get over yourself - constantly transform yourself. This is what a young opera composer experiences in this work when he is confronted with the stubborn wishes of his patron; just like the protagonist of his opera, Ariadne, who, abandoned by her lover, Theseus, expects only death. But things turn out differently... Strauss and Hofmannsthal let the opposites collide: Tragedy and comedy, light music and grand opera, playfulness and seriousness. Thus, in the mirroring of art and life, between gaze and gaze, the unfathomable mystery of transformation takes place. Musical Direction: Kent Nagano Production and stage: Dmitri Tcherniakov Dramaturgy: Angela Beuerle, Michael Sangkuhl
February 13, 2025
Artistic depiction of the event

Ariadne auf Naxos

Thu, Feb 13, 2025, 19:00
Dmitri Tcherniakov (Inszenierung), Dmitri Tcherniakov (Bühne), Kent Nagano (Musical Director), Elena Zaytseva (Costume), Gleb Filshtinsky (Licht), Tatiana Werestchagina (Dramaturgie), Michael Sangkuhl (Dramaturgie), Dr. Angela Beuerle (Dramaturgie), Thorsten Cölle (Regieassistenz), Danila Travin (Assistenz Bühnenbild), Wolfram Koch (Haushofmeister), Martin Gantner (Musiklehrer), Ella Taylor (Komponist), Jamez McCorkle (Tenor), Jamez McCorkle (Bacchus), Peter Tantsits (Tanzmeister), Grzegorz Pelutis (Perückenmacher), Hubert Kowalczyk (Ein Lakai), Nadezhda Pavlova (Zerbinetta), Anja Kampe (Primadonna), Anja Kampe (Ariadne), Björn Bürger (Harlekin), Florian Panzieri (Scaramuccio), Stephan Bootz (Truffaldin), Daniel Kluge (Brighella), Olivia Warburton (Najade), Aebh Kelly (Dryade), Marie Maidowski (Echo), Philharmonisches Staatsorchester Hamburg (Orchestra)
"It is a simple and tremendous problem of life: that of fidelity", is how Hugo von Hofmannsthal described the core of their third opera together, Ariadne auf Naxos, in a letter to Richard Strauss. To live does not mean to persevere and hold on to what has been lost. If you want to live, you have to let go, forget, get over yourself - constantly transform yourself. This is what a young opera composer experiences in this work when he is confronted with the stubborn wishes of his patron; just like the protagonist of his opera, Ariadne, who, abandoned by her lover, Theseus, expects only death. But things turn out differently... Strauss and Hofmannsthal let the opposites collide: Tragedy and comedy, light music and grand opera, playfulness and seriousness. Thus, in the mirroring of art and life, between gaze and gaze, the unfathomable mystery of transformation takes place. Musical Direction: Kent Nagano Production and stage: Dmitri Tcherniakov Dramaturgy: Angela Beuerle, Michael Sangkuhl
February 16, 2025
Artistic depiction of the event

Ariadne auf Naxos

Sun, Feb 16, 2025, 15:00
Dmitri Tcherniakov (Inszenierung), Dmitri Tcherniakov (Bühne), Kent Nagano (Musical Director), Elena Zaytseva (Costume), Gleb Filshtinsky (Licht), Tatiana Werestchagina (Dramaturgie), Michael Sangkuhl (Dramaturgie), Dr. Angela Beuerle (Dramaturgie), Thorsten Cölle (Regieassistenz), Danila Travin (Assistenz Bühnenbild), Wolfram Koch (Haushofmeister), Martin Gantner (Musiklehrer), Ella Taylor (Komponist), Jamez McCorkle (Tenor), Jamez McCorkle (Bacchus), Peter Tantsits (Tanzmeister), Grzegorz Pelutis (Perückenmacher), Hubert Kowalczyk (Ein Lakai), Nadezhda Pavlova (Zerbinetta), Anja Kampe (Primadonna), Anja Kampe (Ariadne), Björn Bürger (Harlekin), Florian Panzieri (Scaramuccio), Stephan Bootz (Truffaldin), Daniel Kluge (Brighella), Olivia Warburton (Najade), Aebh Kelly (Dryade), Marie Maidowski (Echo), Philharmonisches Staatsorchester Hamburg (Orchestra)
"It is a simple and tremendous problem of life: that of fidelity", is how Hugo von Hofmannsthal described the core of their third opera together, Ariadne auf Naxos, in a letter to Richard Strauss. To live does not mean to persevere and hold on to what has been lost. If you want to live, you have to let go, forget, get over yourself - constantly transform yourself. This is what a young opera composer experiences in this work when he is confronted with the stubborn wishes of his patron; just like the protagonist of his opera, Ariadne, who, abandoned by her lover, Theseus, expects only death. But things turn out differently... Strauss and Hofmannsthal let the opposites collide: Tragedy and comedy, light music and grand opera, playfulness and seriousness. Thus, in the mirroring of art and life, between gaze and gaze, the unfathomable mystery of transformation takes place. Musical Direction: Kent Nagano Production and stage: Dmitri Tcherniakov Dramaturgy: Angela Beuerle, Michael Sangkuhl
May 6, 2025
Artistic depiction of the event

Das Tagebuch der Anne Frank

Tue, May 6, 2025, 11:00
Volker Krafft (Musical Director), Olivia Warburton (Anne Frank), Philharmonisches Staatsorchester Hamburg (Orchestra)
Everything seems to have been said about them, books have been written, films made, podcasts produced, facts collected upon facts. And yet there remains a void into which all the facts and words cannot penetrate - but the music can. In his composition, Grigori Frid approaches the inner states of Anne Frank, traces her longings and fears, and thus echoes the great literary power of Anne Frank's words. He creates a sensualization of the situation and thus a strong possibility of identification for young people today. After the White Rose, this graphic opera is dedicated to another iconic figure and victim of the Nazi dictatorship: Anne Frank. Digital and handmade, with comic, film, gore and poetry, documentary and fantastic, telling history and stories differently. For the truth behind reality! Production: David Bösch Setsund costume: Patrick Bannwart Video: Falko Herold Dramaturgy: Janina Zell, Michael Sangkuhl Music theater pedagogy: Maura Kopschitz
May 8, 2025
Artistic depiction of the event

Das Tagebuch der Anne Frank

Thu, May 8, 2025, 19:00
Volker Krafft (Musical Director), Olivia Warburton (Anne Frank), Philharmonisches Staatsorchester Hamburg (Orchestra)
Everything seems to have been said about them, books have been written, films made, podcasts produced, facts collected upon facts. And yet there remains a void into which all the facts and words cannot penetrate - but the music can. In his composition, Grigori Frid approaches the inner states of Anne Frank, traces her longings and fears, and thus echoes the great literary power of Anne Frank's words. He creates a sensualization of the situation and thus a strong possibility of identification for young people today. After the White Rose, this graphic opera is dedicated to another iconic figure and victim of the Nazi dictatorship: Anne Frank. Digital and handmade, with comic, film, gore and poetry, documentary and fantastic, telling history and stories differently. For the truth behind reality! Production: David Bösch Setsund costume: Patrick Bannwart Video: Falko Herold Dramaturgy: Janina Zell, Michael Sangkuhl Music theater pedagogy: Maura Kopschitz